Locks of Hair
Hair Extensions - Yaki Straight 13x4 HD Lace Frontal - Natural Black (1B)
Hair Extensions - Yaki Straight 13x4 HD Lace Frontal - Natural Black (1B)
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The Frontal Most Installs Start With
Ear to ear across the top, this frontal opens with a four inch parting field, the footprint you grab when you want a clean split up front and have no plans to swing your part halfway back your head. It's the base a sewn-in weave, a lift-off wig, or any protective style tends to open with, and it hands off to your own braided wefts right behind the strip, so the money sits where you look first and none of it goes into lace you'll never part through.
HD Melts Where a Flat Texture Would Give You Away
This grain throws no shine and lays with no wave, which is lovely until you notice the one thing left that could read fake is the border itself. HD is the thinnest gauge of lace anyone makes, fine enough that the knots settle down near the skin and the edge disappears without a stylist having to lighten every knot first the way a heavier base demands. That's what buys you a hairline nobody clocks as lace.
A Grain Cut for Pressed Hair, Right at the Front
Across these four inches, the yaki grain does its quiet job of matching a leave-out you've pressed or relaxed flat. Set it next to that and the seam reads as your own hairline; a glassy bundle would only spark up top and tell on itself. The blend lives or dies in the strip your eye checks first, and this is the texture that survives it.
Open the Part Wherever You Braid
Nothing's knotted in to hold the split in one spot, so you can run it center one month and drop it off to one side the next. On HD the knots sit low enough to pass for scalp, so the bare line you open reads like skin parting your own pressed hair, with nothing crimped in from the last install ghosting up through it.
Sews to Your Tracks and Buttons the Front Shut
Whether you sew it into a season-long weave or fix it onto a wig cap you lift off at night, the pressed grain is what closes the front panel your braids have to stay clear of. Lay it over your cornrows and a lock stitch on a curved needle walks it down, so your own edges hide underneath and the top reads as one finished hairline.
Iron It, Wash It, the Grain Answers Back
Press it dead straight for a sharp part or bend the ends once it's laid, and it takes the heat and lets it go clean. That's the inner body of each strand doing its work, the part that never met a chemical on virgin yaki, so it behaves under the iron and drops its native grain back after one wash rather than hanging limp.
Takes a Honey Lift Without Going Patchy
Left as it comes it's a true 1B, and because none of its pigment has been touched it lifts in even steps if you want it warmer, up toward honey, instead of grabbing blotchy the way already-processed hair does. The frontal comes at 16 inches and at 18, matched to the length your pressed leave-out already has.
The Low Back Won't Felt
This is straight hair, so where it wants to knot is the nape, rubbing your collar all day. Kept facing the way it grew, the strands ride past each other there instead of catching, and that low section stays loose instead of matting down on you.
| Feature | Details |
|---|---|
| Hair Type | 100% Virgin Human Hair |
| Texture | Yaki Straight |
| Lace Size | 13x4 HD Lace Frontal |
| Lace Type | HD Lace |
| Part | Free Part Design |
| Color | Natural Black (#1B) |
| Coloring Capability | Can be colored up to honey blonde |
| Length | 16", 18" |
| Recommended Use | Suitable for sew-ins, wigs, and protective styles |
HD Lace Asks for Patient Hands
The finest mesh rewards you with a border that reads as skin, but it collects on the person laying it in return. There's no thick grid propping the knots up off your scalp, which is the whole point, and it also means a rushed job has nowhere to hide across four inches of a flat front. Plan on tinting the knots down to your own scalp shade, thinning the very edge, and laying your baby hairs before it looks grown-in. HD is thin film, so it wants a light hand and a slow one; hurry it and it puckers, take your time and it vanishes. For most people that's a chair-and-stylist afternoon rather than a fifteen-minute glue-down.
Build the Back to Match the Front
Set this on a flat braided foundation and run the same yaki straight through your tracks, because the frontal only finishes the four-inch strip at the top and every track sitting behind is your own wefts feeding the unit you assemble. Match the grain front to back and the part flows into a full head of one texture. Skip that and the seam where the lace ends meets a different bundle underneath, and no amount of melting the front saves it.
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